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Mihael Milunović
Mihael Milunović (born 1967) is a Serbian, French and Croatian painter working in many different media, using them and interconnecting them, such as painting, photography, sculpture, installation, sound, video and objects. His main interests focus on social and political issues, as well as on the phenomenon of contextualization of the common object. His main pictorial works deals with geography and mapping.
==Early life and education==
Milunović was born in Belgrade, Serbia, Yugoslavia, to Nikola Kolja Milunović and Ana Viđen. His father () is a well known Serbian sculptor and first son of Milo Milunović (6 August 1897 – 11 February 1967) a distinguished Serbian painter that dabbled in both Impressionism and Cubism and was one of the founders of Academy of Arts, Belgrade in 1937.; his mother Ana Viđen () is herself a very well known sculptor of Croatian origin. As a child he spent most of his time dwelling in the sculpture studio of his parents, where he had his first encounter with art, and was thought drawing by his mother. Plaster and modelling clay was his first toys, and his early interest in machinery, carpentry and geography, as well as admiration for painters like Velázquez, Tizian or metaphysical De Chirico, will clearly leave a mark in his future artistic development.
Milunović studied painting at the Academy of Arts, Belgrade and the École nationale supérieure des Beaux-Arts. While on his first years of studies in Belgrade, he attended the same class with Uroš Đurić, The two collaborated in many artistic projects during and after their studies. He stayed one year in the studio of Vladimir Veličković at École nationale supérieure des Beaux-Arts, but his curiosity led him to collaborate also with other professors, notably Marina Abramović, who was visiting professor at École nationale supérieure des Beaux-Arts in 1995, and Tony Brown. After studies at École nationale supérieure des Beaux-Arts, Milunović stays in Paris, France, and makes his first steps on the French arts scene. In 1996 he obtained the prestigious Prix de la Fondation Renoir (), that introduced him to Sophie Renoir, grand-grand daughter of Pierre-Auguste Renoir, and also to Maya Picasso (). This friendship greatly helped young Milunović in his first years in France.
He spent almost two years ( 1997 - 1998 ) working in Pierre Auguste Renoir studio in Essoyes, a small village on the southern brink of the Champagne region in France.
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